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	<title>
	Comments on: Golden Ratio in Art Composition and Design	</title>
	<atom:link href="https://www.goldennumber.net/art-composition-design/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.goldennumber.net/art-composition-design/</link>
	<description>Golden Ratio, Phi, 1.618, and Fibonacci in Math, Nature, Art, Design, Beauty and the Face. One source with over 100 articles and latest findings.</description>
	<lastBuildDate>Sun, 08 Aug 2021 02:41:06 +0000</lastBuildDate>
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		<title>
		By: James		</title>
		<link>https://www.goldennumber.net/art-composition-design/#comment-6151</link>

		<dc:creator><![CDATA[James]]></dc:creator>
		<pubDate>Sun, 08 Aug 2021 02:41:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.phisource.com/?p=291#comment-6151</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.goldennumber.net/art-composition-design/#comment-5784&quot;&gt;Jens&lt;/a&gt;.

Did I miss &#039;something&#039;?  You seem to state that I had...&#038; U went on then to say the same thing: it is an INFINATE NUMBER!   THAT was not my point!  I was encouraging others to &quot;investigate&quot; &#038; involve themselves.  So; just sit back in your easy chair &#038; awaite tour Super Computer to Print-Out a copy.  Just remember man(kind) need only use the Tooles Available and not trumpet your knowledge (wisdom?) of the simple fact that we all accept/know about WHO is in knowledge of that &quot;Number&quot; &#038; most of us spend time with &quot;Him&quot; every week-end.
     ... ..that&#039;s all.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.goldennumber.net/art-composition-design/#comment-5784">Jens</a>.</p>
<p>Did I miss &#8216;something&#8217;?  You seem to state that I had&#8230;&amp; U went on then to say the same thing: it is an INFINATE NUMBER!   THAT was not my point!  I was encouraging others to &#8220;investigate&#8221; &amp; involve themselves.  So; just sit back in your easy chair &amp; awaite tour Super Computer to Print-Out a copy.  Just remember man(kind) need only use the Tooles Available and not trumpet your knowledge (wisdom?) of the simple fact that we all accept/know about WHO is in knowledge of that &#8220;Number&#8221; &amp; most of us spend time with &#8220;Him&#8221; every week-end.<br />
     &#8230; ..that&#8217;s all.</p>
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		<title>
		By: Gary B Meisner		</title>
		<link>https://www.goldennumber.net/art-composition-design/#comment-5789</link>

		<dc:creator><![CDATA[Gary B Meisner]]></dc:creator>
		<pubDate>Mon, 26 Apr 2021 01:26:34 +0000</pubDate>
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					<description><![CDATA[In reply to &lt;a href=&quot;https://www.goldennumber.net/art-composition-design/#comment-5784&quot;&gt;Jens&lt;/a&gt;.

If you want the true, complete number the golden ratio is calculated as (√5+1)/2. This is an irrational number with an infinite number of random digits, so sharing it &quot;in full&quot; would not only take an infinite amount of time and energy, but would also be a colossal waste of time. In the physical world, real life applications of any mathematical concept or measure rarely require more that 4 to 6 decimal places of accuracy. If you&#039;d like more though see my page at https://www.goldennumber.net/phi-million-places where I list not just the first 500 digits of the golden ratio but rather the first 20,000. If you want to see how it is applied, click on the section headers at the top of any page of this site and explore the articles in the Design/Art, Beauty/Face, Markets/Gaming and other sections. If you&#039;d like to go beyond the hundred plus articles on this site, see the applications listed on my PhiMatrix software site at https://www.phimatrix.com/applications/. There no tease or hold back here. Just dig a little deeper.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.goldennumber.net/art-composition-design/#comment-5784">Jens</a>.</p>
<p>If you want the true, complete number the golden ratio is calculated as (√5+1)/2. This is an irrational number with an infinite number of random digits, so sharing it &#8220;in full&#8221; would not only take an infinite amount of time and energy, but would also be a colossal waste of time. In the physical world, real life applications of any mathematical concept or measure rarely require more that 4 to 6 decimal places of accuracy. If you&#8217;d like more though see my page at <a href="https://www.goldennumber.net/phi-million-places" rel="ugc">https://www.goldennumber.net/phi-million-places</a> where I list not just the first 500 digits of the golden ratio but rather the first 20,000. If you want to see how it is applied, click on the section headers at the top of any page of this site and explore the articles in the Design/Art, Beauty/Face, Markets/Gaming and other sections. If you&#8217;d like to go beyond the hundred plus articles on this site, see the applications listed on my PhiMatrix software site at <a href="https://www.phimatrix.com/applications/" rel="nofollow ugc">https://www.phimatrix.com/applications/</a>. There no tease or hold back here. Just dig a little deeper.</p>
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		<title>
		By: Jens		</title>
		<link>https://www.goldennumber.net/art-composition-design/#comment-5784</link>

		<dc:creator><![CDATA[Jens]]></dc:creator>
		<pubDate>Sun, 25 Apr 2021 00:03:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.phisource.com/?p=291#comment-5784</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.goldennumber.net/art-composition-design/#comment-5779&quot;&gt;Gary B Meisner&lt;/a&gt;.

Okay.  If you are so excited about the “Golden mean”; aka the Golden Ratio...  then give me the FULL  Number!  Do not tease about your “discovery”!  We all deserve you giving us the FULL STORY... The COMPLETE STORY AND the true/complete number!  And!  They’ll us how to find it and where we may see it Applied.  Let us not be left with a fragment of one of The Most Important Numbers known time ManKind!  Don’t be selfish: SHARE!  Share it in Full!
  Okay, I dare you to tell us the first numbers after the decimal point... and show At Least the First (let’s say) 500!  Ok?]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.goldennumber.net/art-composition-design/#comment-5779">Gary B Meisner</a>.</p>
<p>Okay.  If you are so excited about the “Golden mean”; aka the Golden Ratio&#8230;  then give me the FULL  Number!  Do not tease about your “discovery”!  We all deserve you giving us the FULL STORY&#8230; The COMPLETE STORY AND the true/complete number!  And!  They’ll us how to find it and where we may see it Applied.  Let us not be left with a fragment of one of The Most Important Numbers known time ManKind!  Don’t be selfish: SHARE!  Share it in Full!<br />
  Okay, I dare you to tell us the first numbers after the decimal point&#8230; and show At Least the First (let’s say) 500!  Ok?</p>
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		<title>
		By: Byron		</title>
		<link>https://www.goldennumber.net/art-composition-design/#comment-5783</link>

		<dc:creator><![CDATA[Byron]]></dc:creator>
		<pubDate>Sat, 24 Apr 2021 23:23:00 +0000</pubDate>
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					<description><![CDATA[All hail pi and phi, the twin pillars of existence...]]></description>
			<content:encoded><![CDATA[<p>All hail pi and phi, the twin pillars of existence&#8230;</p>
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		<title>
		By: Gary B Meisner		</title>
		<link>https://www.goldennumber.net/art-composition-design/#comment-5779</link>

		<dc:creator><![CDATA[Gary B Meisner]]></dc:creator>
		<pubDate>Sat, 24 Apr 2021 13:27:27 +0000</pubDate>
		<guid isPermaLink="false">http://www.phisource.com/?p=291#comment-5779</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.goldennumber.net/art-composition-design/#comment-5769&quot;&gt;Chris Cole&lt;/a&gt;.

Consider this quote then from Dr. Stephen Marquart:

“All life is biology.
All biology is physiology.
All physiology is chemistry.
All chemistry is physics.
All physics is math.”]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.goldennumber.net/art-composition-design/#comment-5769">Chris Cole</a>.</p>
<p>Consider this quote then from Dr. Stephen Marquart:</p>
<p>“All life is biology.<br />
All biology is physiology.<br />
All physiology is chemistry.<br />
All chemistry is physics.<br />
All physics is math.”</p>
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		<title>
		By: Chris Cole		</title>
		<link>https://www.goldennumber.net/art-composition-design/#comment-5769</link>

		<dc:creator><![CDATA[Chris Cole]]></dc:creator>
		<pubDate>Sun, 18 Apr 2021 15:43:01 +0000</pubDate>
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					<description><![CDATA[A math major friend of mine always used to tell me that the whole universe could be understood in numbers. I scoffed at that! This post makes me begin to wonder if there was some iota of truth in what he said.]]></description>
			<content:encoded><![CDATA[<p>A math major friend of mine always used to tell me that the whole universe could be understood in numbers. I scoffed at that! This post makes me begin to wonder if there was some iota of truth in what he said.</p>
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		<title>
		By: Max Judd		</title>
		<link>https://www.goldennumber.net/art-composition-design/#comment-4711</link>

		<dc:creator><![CDATA[Max Judd]]></dc:creator>
		<pubDate>Fri, 05 Apr 2019 05:21:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.phisource.com/?p=291#comment-4711</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.goldennumber.net/art-composition-design/#comment-1137&quot;&gt;Dave&lt;/a&gt;.

I respect that the golden ratio is sometimes used in music, but Lateralus is one obscure song, and Vi Hart is one relatively unknown &quot;mathemusician&quot; so I do not believe these two appearances together comprise &quot;popularity&quot;. Furthermore Lateralus is good, but its not exactly amazing (as seen in the fact that it is little known outside its links to the golden ratio) so this is not proof that ratio is somehow aesthetically pleasing in music]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.goldennumber.net/art-composition-design/#comment-1137">Dave</a>.</p>
<p>I respect that the golden ratio is sometimes used in music, but Lateralus is one obscure song, and Vi Hart is one relatively unknown &#8220;mathemusician&#8221; so I do not believe these two appearances together comprise &#8220;popularity&#8221;. Furthermore Lateralus is good, but its not exactly amazing (as seen in the fact that it is little known outside its links to the golden ratio) so this is not proof that ratio is somehow aesthetically pleasing in music</p>
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		<title>
		By: Jens Petersen		</title>
		<link>https://www.goldennumber.net/art-composition-design/#comment-4066</link>

		<dc:creator><![CDATA[Jens Petersen]]></dc:creator>
		<pubDate>Mon, 05 Mar 2018 00:47:23 +0000</pubDate>
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					<description><![CDATA[In reply to &lt;a href=&quot;https://www.goldennumber.net/art-composition-design/#comment-1138&quot;&gt;ayisha&lt;/a&gt;.

Consider looking at Asian (especially Japanese gardens and interiors) as they work with this in  approaching it from their special appreciation of innate balance and the comfort of balance as they have experienced it for thousands of years.  Perhaps they have a certain mathematical relationship - but the final &quot;adjustments&quot; are from a personal-human level; even superhuman, level.  It is certainly &quot;comfortable&quot; and does appear to conform to the &quot;Western&quot; mathematical schemas [including: 1+1 = 2+1 = 3+2 = 5+3 = 8.... Fibonacci Progression!].  As in the layout of formal gardens, the &quot;final&quot; adujstment of a stone&#039;s location is made in consideration of where the viewer is positioned, the size, shape and color of that stone - as well as the time of day and the location of the solar source of light - either sun or moon - as relating to the view AND - perhaps - a PARTICULAR EVENT.  So much for &quot;Pure&quot; mathematical analysis!]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.goldennumber.net/art-composition-design/#comment-1138">ayisha</a>.</p>
<p>Consider looking at Asian (especially Japanese gardens and interiors) as they work with this in  approaching it from their special appreciation of innate balance and the comfort of balance as they have experienced it for thousands of years.  Perhaps they have a certain mathematical relationship &#8211; but the final &#8220;adjustments&#8221; are from a personal-human level; even superhuman, level.  It is certainly &#8220;comfortable&#8221; and does appear to conform to the &#8220;Western&#8221; mathematical schemas [including: 1+1 = 2+1 = 3+2 = 5+3 = 8&#8230;. Fibonacci Progression!].  As in the layout of formal gardens, the &#8220;final&#8221; adujstment of a stone&#8217;s location is made in consideration of where the viewer is positioned, the size, shape and color of that stone &#8211; as well as the time of day and the location of the solar source of light &#8211; either sun or moon &#8211; as relating to the view AND &#8211; perhaps &#8211; a PARTICULAR EVENT.  So much for &#8220;Pure&#8221; mathematical analysis!</p>
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		<title>
		By: Vincent Fink		</title>
		<link>https://www.goldennumber.net/art-composition-design/#comment-3809</link>

		<dc:creator><![CDATA[Vincent Fink]]></dc:creator>
		<pubDate>Tue, 19 Sep 2017 06:11:11 +0000</pubDate>
		<guid isPermaLink="false">http://www.phisource.com/?p=291#comment-3809</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.goldennumber.net/art-composition-design/#comment-1116&quot;&gt;susan&lt;/a&gt;.

wrong number. she got greedy when it should have been $1.61]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.goldennumber.net/art-composition-design/#comment-1116">susan</a>.</p>
<p>wrong number. she got greedy when it should have been $1.61</p>
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		<title>
		By: Matthew Grayson		</title>
		<link>https://www.goldennumber.net/art-composition-design/#comment-3694</link>

		<dc:creator><![CDATA[Matthew Grayson]]></dc:creator>
		<pubDate>Mon, 19 Jun 2017 16:01:09 +0000</pubDate>
		<guid isPermaLink="false">http://www.phisource.com/?p=291#comment-3694</guid>

					<description><![CDATA[Very interesting site indeed , as it helped me to calculate the composition painting l am presently working on. I used the Golden ratio five times in my one composition of the Piazza San Marco circa 1480 for the Correr Museum. I based it on Gentile Belinni &#039;s procession of the true cross of Christ. I have calculated the entire square with the inclusion of the old Ospizio Orseolo which was demolished three hundred and fifty years ago.. And with the original Campanile which served more as a lighthouse and watchtower. In measuring the height and width of the original Campanile from the compositions ground level.. it exactly measures the same by the millimetre of Leonardo day Vinci&#039;s table on the last supper from the table top to the feet of Christ  !! .. That&#039;s spooky, but very exciting to discover. The painting will be hung proudly in the Correr Museum in around two years time.]]></description>
			<content:encoded><![CDATA[<p>Very interesting site indeed , as it helped me to calculate the composition painting l am presently working on. I used the Golden ratio five times in my one composition of the Piazza San Marco circa 1480 for the Correr Museum. I based it on Gentile Belinni &#8216;s procession of the true cross of Christ. I have calculated the entire square with the inclusion of the old Ospizio Orseolo which was demolished three hundred and fifty years ago.. And with the original Campanile which served more as a lighthouse and watchtower. In measuring the height and width of the original Campanile from the compositions ground level.. it exactly measures the same by the millimetre of Leonardo day Vinci&#8217;s table on the last supper from the table top to the feet of Christ  !! .. That&#8217;s spooky, but very exciting to discover. The painting will be hung proudly in the Correr Museum in around two years time.</p>
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