What makes a single number so interesting that ancient Greeks, Renaissance artists, a 17th century astronomer and a 21st century novelist all would write about it? It’s a number that goes by many names. This “golden” number, 1.61803399, represented by the Greek letter Phi, is known as the Golden Ratio, Golden Number, Golden Proportion, Golden Mean, Golden Section, Divine Proportion and Divine Section. It was written about by Euclid in “Elements” around 300 B.C., by Luca Pacioli, a contemporary of Leonardo Da Vinci, in “De Divina Proportione” in 1509, by Johannes Kepler around 1600 and by Dan Brown in 2003 in his best selling novel, “The Da Vinci Code.” With the movie release of the “The Da Vinci Code”, the quest to know Phi was brought even more into the mainstream of pop culture. The allure of “The Da Vinci Code” was that it creatively integrated fiction with both fact and myth from art, history, theology and mathematics, leaving the reader never really knowing what was truth and what was not. This site studies this golden number Phi, and its mathematical cousin, the Fibonacci sequence (0, 1, 1, 2, 3, 5, 8, …) , both of which have roles in the plot of this murder mystery, and distinguishes between the myth and the math.

(Phi-based grid lines created with PhiMatrix golden ratio software) |

## Mathematics of the Golden Ratio

This Golden Ratio truly is unique in its mathematical properties and pervasive in its appearance throughout nature. The “mathematically challenged” may be more interested in the appearances of Phi in nature, its application to art, architecture and design, and its potential for insights into the more spiritual aspects of life, but let’s begin with the purest of facts about Phi, which are found in mathematics.

Most everyone learned about the number Pi in school, but relatively few curricula included Phi, perhaps for the very reason that grasping all its manifestations often takes one beyond the academic into the realm of the spiritual just by the simple fact that Phi unveils a unusually frequent constant of design that applies to so many aspects of life. Both Pi and Phi are irrational numbers with an infinite number of digits after the decimal point, as indicated by “…”, the ellipsis.

Where Pi or p (3.14…) is the ratio of the circumference of a circle to its diameter, Phi or Φ (1.618 …) is the Golden Ratio that results when a line is divided in one very special and unique way. To illustrate, suppose you were asked to take a string and cut it. There’s any number of places that you could cut it, and each place would result in different ratios for the length of the small piece to the large piece, and of the large piece to the entire string. There is one unique point, however, at which the ratio of the large piece to the smaller piece is exactly the same as the ratio of the whole string to the larger piece, and at this point this Golden Ratio of both is 1.618 to 1, or Phi.

What makes this so much more than an interesting exercise in mathematics is that this proportion appears throughout creation and extensively in the human face and body. It’s found in the proportions of many other animals, in plants, in the solar system and even in the price and timing movements of stock markets and foreign currency exchange. Its appeal thus ranges from mathematicians to doctors to naturalists to artists to investors to mystics.

Part of the uniqueness of Phi is that it can be derived in many other ways than segmenting a line.

- Phi is the only number whose square is greater than itself by one, expressed mathematically as Φ² = Φ + 1 = 2.618.
- Phi is also the only number whose reciprocal is less than itself by one, expressed as 1/Φ = Φ – 1 = 0.618.

These two qualities of phi can be expressed algebraically as a+1=a² and a-1=1/a. This can then be rearranged and expressed as a²-a -1=0 . This is a quadratic equation, the only positive solution of which is:

Φ = (1 + √5) /2 = 1.61803398874989484820…

Where 1.618 is represented in upper case as Phi or Φ, its near twin or reciprocal, 0.618, is often represented in lower case as phi or φ. Phi is an irrational number, a number which cannot be expressed as a ratio of two integer numbers.

## The Fibonacci Sequence

The Fibonacci sequence, also a plot element in “The Da Vinci Code,” provides yet another way to derive Phi mathematically. The series is quite simple. Start with 0 and add 1 to get 1. Then repeat the process of adding each two numbers in the series to determine the next one: 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, and so on. This pattern is also found in the diagonals of Pascal’s Triangle. The relationship to the Golden Ratio or Phi is found by dividing each number by the one before it. The further you go in the series, the closer the result gets to Phi. For example:

1/1=1

2/1=2

3/2=1.5

5/3 = 1.666

13/8 = 1.625

21/13=1.615

If you go further into the series and you’ll find that 233/144 = 1.61805, a very close approximation of Phi, which to ten decimal places is 1.6180339887.

## Geometry of the Golden Ratio

The Golden Ratio is also found in geometry, appearing in basic constructions of an equilateral triangle, square and pentagon placed inside a circle, as well as in more complex three-dimensional solids such as dodecahedrons, icosahedrons and “Bucky balls,” which were named for Buckminster Fuller and are the basis for the shapes of both Carbon 60 and soccer balls.

Johannes Kepler (1571-1630), discoverer of the true elliptical nature of the orbits of the planets in the solar system described it as such: “Geometry has two great treasures: one is the Theorem of Pythagoras; the other, the division of a line into extreme and mean ratio. The first we may compare to a measure of gold; the second we may name a precious jewel.” (See other Quotations)

## Nature and Life

There are many other fascinating mathematical relationships and oddities in both Phi and the Fibonacci series that can be explored in more depth, but for now let’s now take a step away from the purely mathematical and venture into nature, where Phi and the Fibonacci series manifest themselves pervasively, but not universally. Fibonacci numbers frequently appear in the numbers of petals in a flower and in the spirals of plants. The positions and proportions of the key dimensions of many animals are based on Phi. Examples include the body sections of ants and other insects, the wing dimensions and location of eye-like spots on moths, the spirals of sea shells and the position of the dorsal fins on porpoises. Even the spirals of human DNA embody phi proportions.

## Perceptions of Beauty

More intriguing yet is the extensive appearance of Phi throughout the human form, in the face, body, fingers, teeth and even our DNA, and the impact that this has on our perceptions of human beauty. Some would argue that beauty is in the eye of the beholder, but there is evidence to support that what we perceive as beauty in women and men is based on how closely the proportions of facial and body dimensions come to Phi. It seems that Phi is hard-wired into our consciousness as a guide to beauty. For this reason, Phi is applied in both facial plastic surgery and cosmetic dentistry as a guide to achieving the most natural and beautiful results in facial features and appearance.

## Art, Architecture and Design

With all the unique mathematical properties of Phi and its appearance throughout creation, it’s little wonder that mankind would not only take notice of this number and the Golden Ratio it creates, but also use it to capture the beauty and harmony of nature in our own creations in art, architecture and other areas of design. In some cases, mankind’s application of Phi is undeniable. In other cases, it is still the subject of debate. The Great Pyramid of Egypt appears to embody the Golden Ratio in the ratios of its base, height and hypotenuse, but its missing outer shell and the absence of the mention of Phi in ancient Egyptian writings make it difficult to prove conclusively that this was by design. The Greeks knew of Phi at the time of the building of the Parthenon, and while its overall dimensions only approximate the golden ratio, there appears to be evidence of it use in the design of the beam atop the columns. The confusion on these points leads to those who contest this as well. It is recognized that Leonardo Da Vinci used Phi, known in the 1500’s as “The Divine Proportion,” in a number of his paintings. Other artists, including Raphael, Sandro Botticelli and Georges Seurat did as well. While this is undeniable, some people creatively overlay golden spirals to images where others do not believe they were intended by the artist. The dimensions of the treasured Stradivarius violins built around 1700 show Phi relationships. It plays a role in music and acoustics. More modern applications of the Golden Ratio in architecture can be seen in Notre Dame in Paris, the United Nations Headquarters Secretariat building in New York and the CN Tower in Toronto. It’s commonly used in the design of products and logos and by many major corporations. It has even been used in high fashion clothing design, such as in the “Phi Collection” announced in 2004 and covered by Vogue, Elle and Vanity Fair. It’s also the basis for The Fashion Code, a style guide to women’s dress. Various studies have tested to see if a golden rectangle is the most pleasing rectangle to the human eye. Results of the studies are mixed, but generally point to rectangles with shapes close to the golden rectangle as being most pleasing.

## The Solar System and Universe

Curiously enough, we even find golden ratio relationships in the solar system and universe. The diameters of the Earth and Moon form a triangle whose dimensions are based on the mathematical characteristics of phi. The distances of the planets from the sun correlate surprisingly closely to exponential powers of Phi. The beautiful rings of Saturn are very close in dimension to the golden ratio of the planet’s diameter. NASA released findings in 2003 that the shape of the Universe is a dodecahedron based on Phi.

## New Discoveries involving the Golden Ratio

The Golden Ratio continues to open new doors in our understanding of life and the universe. It appeared in Roger Penrose’s discovery in the 1970’s of “Penrose Tiles,” which allowed surfaces to be tiled in five-fold symmetry, a task previously thought impossible. It appeared again in the 1980’s in the three-dimensional molecular arrangement of quasi-crystals, a newly discovered form of matter. As we enter the 21st century, Phi seems to be having a rebirth in integrating knowledge across a wide variety of fields of study, including time and quantum physics.

## Spiritual Aspects

The description of this golden proportion as the Divine proportion is perhaps fitting because it is seen by many as a door to a deeper understanding of beauty and spirituality in life, unveiling a hidden harmony or connectedness in so much of what we see. That’s an incredible role for a single number to play, but then again this one number has played an incredible role in human history and in the foundations of life itself. The line between its mathematical and mystical aspects is thus not easily drawn.

Phi does not appear explicitly in the Bible or other ancient scriptures, yet we find that the dimensions given by God to Noah for the Ark and to Moses for the Ark of the Covenant both reflect a 5 to 3 proportion, Fibonacci numbers with a ratio of 1.666, and a reasonably close approximation to Phi. The Kaaba, the most sacred site of Islam in Mecca, is located very close to the golden ratio of the distance between the Earth’s north and south poles. Curiously enough, even the symbol for Phi, a circle with a line drawn through it, can be thought to represent a zero, or void, divided by one, or Unity, to create beauty, analogous to God creating the universe from nothing.

## A Journey of Discovery

In matters of reason, seeing is believing but in matters of faith, it is believing that first opens the door to seeing. Just as we need two eyes to add depth to our perception in vision, both faith and reason serve us in adding depth to our understanding of life and the universe in which we live. Some will tell you that appearances of the Golden Ratio are proof of God’s design. Most religions though reveal that we come to know God through faith, not proofs. Some will tell you that there isn’t even any evidence at all for the Golden Ratio, that we’re just perceiving patterns that don’t really exist. Probe further though to ask if their views are based in evidence, or just a reflection of their own atheistic or naturalistic beliefs about life.

The best way to know for yourself where Phi appears and where it is imagined is to explore with an open mind, learn and reach your own conclusions on the facts and implications. You can learn more about the Golden Ratio here at www.GoldenNumber.net and download a free trial of PhiMatrix golden ratio design software to easily discover and apply Phi proportions for yourself. Enjoy the “phi”nomemon, whether to enhance your own understanding and appreciation of beauty and harmony in life or to apply it to your own artistic creations, like Leonardo Da Vinci and other masters before you. I welcome you to contribute your own insights and findings with our online community.

Gary Meisner

The Phi Guy

Author of www.goldennumber.net

Developer of PhiMatrix software at www.phimatrix.com

stacey says

math project

Mireacle says

Im doing this as my project too!

Ewout says

Now I see the reasoning behind the ants in the movie Pi

Mathlover says

wow, thats a genius I love the Golden Ratio because its just so interesting! isn;t it amazing how EVERYTHING has a golden ratio? aweeesoooommeee

mark Prager says

wish I could apply this golden ratio to picking the golden lottery numbers

UNTITLED says

I AGREE BUDDY

Goodhead says

I wish to use this number in my program execution to control the sleep time of threads

Fraser says

NICE ARTICLE

I would submit the Phi symbol is perfect as a symbol of 0 intersected by 1 graphically and perfectly represents not division but the subquantum immanence or (un)presence of a metaphysical Unity, the Biblical I AM, where nothing, but everything, (un)resides …. what the physicist might refer to as the wave function with particle potential ..

Everywhere but nowhere … neither both nor neither

best translation? —>

Gary Meisner says

I’ve had very similar thoughts, as expressed on the Theology page.

joe says

wave function is simply a tool to estimate a particle location not a universal property, same as super position and Schrodinger’s cat, the cat can not physically be dead and alive, we simply don’t have enough information for out tool, classic example of someone overthinking things, the observer does not affect the observed. tree falling in the woods anybody?

Debo says

Do I understand this comment? I don’t think I do, please explain.

Stone says

I thank this website was great and so was the picture of Mona Lisa

Dwayne Foster says

March 8, 2013 Corel Painter X … as you likely know has ‘Divine Proportion’ available as a guide for rendering file compositions. I first learned about ‘Golden Section’ from one of my art teachers, Mr. Flury at Art Center College of Design in Pasadena, CA. He had been on the staff at Disney Studios back with Walt, and was the archetype model inspiration for their cartoon animation character, Jiminy Cricket.

evangella vane says

phenomenal

Pidg says

wow! for some reason i was late for church. p/u the kid section of the comics and saw the golden ratio. Just like the ratio, divine insperation led me here.

Thx!

Dan von Bose says

Just as the square and the equilateral triangles give us two special right triangles, the pentagram gives us two more special right triangles resulting from two unique isosceles triangles found within the pentagram itself.

Morris says

Great work.

I’d like newsletter or alerts to new findings of .618 or 1.618 in the world.

If phi is in most of life, it must be important.

I can help in research for u if u ever need it for a publication.

I am a money manager and I use phi in my work.

Ted says

I think Phi is simply irrational.

Debo says

Yes it is. It is an irrational number of a unique nature.. with its recurring decimals both in truth and in nature.

Badly draw boy says

Interesting article. I wonder why it is not better taught in school. Then again, it is irregular, keeps on cropping up in life and seems to balance at this point.

Adrian says

Please help me with this.

so 1+square root of 5 divided by 2 equals 1.61803339….

But 1000 divided by 618 equals 1.6181229….

which is not the same and even more important

618 divided by 382 equals 1.617801…

which is not even 1.618 … I understand the principle but is A is the big line then A/B is not equal to B/C … it’s 1.618 and 1.617 …

Gary Meisner says

1.618 and 0.618 are just rounded values used for simplicity when discussing the golden ratio. If you want more accuracy you must use more decimal places, e.g. 1.6180339887, or its actual value, e.g., the (square root of 5 + 1) / 2.

Deah says

Very interesting, thank you! Do you know if and how Sacred Geometry can be used in hands-on healing?

Ololade Omoniyi-Alake says

Nice! Thanks for the information!

Fayaz Tahir says

http://www.academia.edu/7736958/The_Sacred_Sanctuary_of_Makkah

For GODLY Design of Makkah (The Mother of all cities) as the ABSOLUTE REFERENCE POINT on earth please see the link above.

Best Regards,

Author

Shafie Mukhre says

Salam Mr Fayar Tahir,

This is Astonishing! Thankyou

Regards,

Reader

Fayaz Tahir says

Walaikum Salam Mr. Shafie.

Thanks for your comments.

Fayaz Tahir

hash! says

I m working on my architectures design so that the building luks in d golden proportion frm each elevation… Thanx loads fuh d deap info!!

marsh says

i love the article great work keep me updated regards

Oilmuckandsunlight says

20 years ago I completed my Strathclyde University Degree dissertation based on the Golden ratio. In it, I had to prove that it did exist. In doing so, I subjected many of my friends, family and colleagues to questions relating to the Golden ratio. I used a simple piece of paper with a black dot marked at various places on the sheet. The sheets were A4 (UK) in size which, as you will know, use the Golden ratio for their paper size (A3 is double A4, etc, etc). The results were interesting. The engineers that I questioned predominantly felt that the ‘dot was most pleasing to the eye’ when shown at the exact centre of the page. The artists varied. Most other people (who generally did not think too deeply about art, measurements, science, etc) found that the ‘most pleasing place on the page where the dot was placed’ located it at the Golden ratio point. There were approx 150 people who were subjected to my questionning. The research was subsequently used by Nestle to identify where to align their corporate names on food/sweet wrappers for maximum effect. Unfortunately, I have never been able to get hold of my work and did not keep a copy. I will track down a copy one day when I visit Scotland. Thanks for reading.

Rom says

The paper sizes are silver ratio not golden. They are called root 2 rectangles.

mark Prager says

still cant apply the golden ratio to picking the lottery numbers HUMMM this may take years

Gary Meisner says

There’s no reason to believe that the golden ratio can be used to pick lottery numbers, or any other method for that matter. Lottery numbers are selected by a process that produces RANDOM results, and that means they cannot be predicted.

Shoshana says

Dr. Peter Mandel’s Esogetic Medicine utillizes Kepler’s information and many others to treat patients with color therapy. This therapy is similar to acupuncture and it utilizes colors. It is transmitted through the skin and doesn’t puncture it.

He utillizes alignment with the center of the pupil for many treatments. Throughout the body, there is proportionality in every treatment.

This is just one possible synchronicity in healing modalities.

Munawar says

An awesome article. This can be used for your success in life

A. R. says

It is also common for traders. I personally use Fibonacci for my trades and it help me to get successful trades.

The Begetter says

Its useful for my architectures projects, Thanks Golden Number

john c dimitriadis says

φantastic

Henry says

this is very interesting, i love it

Jim Jacobs says

Gary, great to find a phi guy online. Writing to invite you to view the fine-tuned phi finds in ancient monument geodetic geometry, including Qin’s tomb and major American monuments, Newark, Pachacamac, Chavin, Tiwanaku, Tula, Chichen, and Machu Picchu (ArchaeoBlog link above). Perhaps you’ll have some insight to further understandings of what this conveys across time.

Gary B Meisner says

I have a page on the Great Pyramid at Giza on this at http://www.goldennumber.net/phi-pi-great-pyramid-egypt/, but do not have anything else on dimensions related to the golden ratio. There seems to be a clear connection between all these structures, some of which seem to be in alignment across the globe. If you come across any golden ratios in their proportions or positions I’d love to hear about it. You may find my software at http://www.phimatrix.com to be helpful in the analysis.

Jim Jacobs says

Already online as I wrote. See posts on: http://www.jqjacobs.net/blog/

Even a KML file: http://www.jqjacobs.net/kml/phi_golden_ratios.kml

Chris Bartlett says

I recently published a paper for Nexus Network Journal confirming the design of Khufu’s pyramid was indeed in golden ratio proportions (arguing Markowsky’s contention it was a misconception) supported by the fact that it was in the same proportions as the figure in ancient Egyptian art. ( Vol 16, No 2, 2014).

I have also discovered a meta-golden ratio rectangle (I use ‘chi’ for its symbol).

we know that if one removes a square from the end of golden ratio rectangle one is left with another phi rectangle. Whereas, the unique feature of a meta-golden chi rectangle is that if one removes a golden ratio rectangle from one end the remaining rectangle is another chi rectangle.

(Dirk Huylebrouck presented the math at Bridges Seoul 2014)

I

Carlo Fiorentini says

I have been experimenting with the Fibonacci number in my paintings and in checking out proportions of classical works. It’s a great means to structure abstractions. Curiosity got ticked in observing an old Bauhaus poster consisting of a triangle, a square and a circle: the combinations and relations never end. It’s fun and a great occupation during retirement; I am still painting…